Phil Kline's John the Revelator at the World Financial Center's Winter Garden,
and Teatro Grattacielo's La Farsa Amorosa at Alice Tully Hall
The New York Times, November 14, 2006
Resources
Score Card
- Aworks
- Chicago Classical Review
- Classical Convert
- Classical Life
- Classical Musings
- Classical Review
- Clef Notes
- Creative Destruction
- Deceptively Simple
- Feast of Music
- Felsenmusick
- Holde Kunst
- Ionarts
- Iron Tongue of Midnight
- Jessica Duchen
- Life's a Pitch
- Listen.
- Là ci darem la mano
- Mass Culture Mozart
- Mind the Gap
- Monotonous Forest
- Musical Assumptions
- Musical Perceptions
- On a Pacific Aisle
- On an Overgrown Path
- Out West Arts
- PostClassic
- Renewable Music
- Roger Bourland
- San Francisco Classical Voice
- Sandow
- Seated Ovation
- Sequenza 21
- Soho the Dog
- Sounds & Fury
- South Florida Classical Review
- The Classical Beat
- The Detritus Review
- The Omniscient Mussel
- The Rambler
- The Rest Is Noise
- The Standing Room
- The View from Here
- Tonic Blotter
Prompter's Box
Players
- Alex Shapiro: notes from the kelp
- Alexandra Gardner: Building Noises
- Analog Arts Ensemble: ANABlog
- Anne-Carolyn Bird: The Concert
- Brian Sacawa: Sounds Like Now
- Charles Noble: NobleViola
- Chris Becker
- Cornelius Dufallo: Urban Modes
- Darcy James Argue's Secret Society
- Dave Douglas
- David Gerstein: OhMyTrill
- David T. Little: Music As Weapon?
- David Toub: David's waste of bandwidth...
- Eighth Blackbird: thirteen ways
- James Roe: Urban Modern
- Jeremy Denk: Think Denk
- Joseph Hallman: jhallmanmusic
- Joyce DiDonato: Yankeediva
- Marcus Maroney: Sounds Like New
- Miguel Frasconi: Well-Weathered Music
- Patrcia Emerson Mitchell: Oboeinsight
- Rinat Shaham: Singin'rin
- Taylor Ho Bynum
- The Bad Plus: Do the Math
- Tom Meglioranza: Meglioranza.com
